INTRODUCTION
Takeshi Yagi is a Japanese film director, special effects director, and producer, and one of Japan’s leading figures in tokusatsu filmmaking. Across film and television, he has pursued distinctive approaches to storytelling and visual expression, directing both dramatic scenes and special effects.
His major works include Superior 8 Ultra Brothers, which held the Ultraman theatrical box-office record for 14 years, as well as Ultraman Max and Ultraseven X. He is also a co-author of the fantasy novel Night Train, and continues to develop original film projects, including a feature-length project based on his short film AKARI.
Alongside his filmmaking and writing, Yagi also works to share the art, history, techniques, and cultural legacy of Japanese tokusatsu with filmmakers and audiences around the world through education, research, and cultural exchange.
ABOUT TOKUSATSU
Originally a term for special effects techniques, tokusatsu evolved into a distinct genre and has become an integral part of Japanese culture. For Yagi, it is an art form that transcends technique, encompassing philosophy, artistic vision, and a deeper spiritual dimension.
FEATURED NOW
AKARI
Short Film · Director / Producer / Co-writer / Special Effects Director
An original short film directed by Takeshi Yagi, who also served as its producer, co-writer, and special effects director.
Created through an international collaboration between Japanese and American filmmakers, AKARI combines the physical techniques of Japanese tokusatsu with a contemporary international production approach.
Following its earlier presentation at Tokyo Comic Con in 2022, AKARI had its international premiere at the Fantasia International Film Festival in 2023.
TOKUSATSU FILMMAKING MASTERCLASS
Streaming Masterclass · 2026
An international filmmaking course in which Yagi shares the techniques, creative philosophy, and practical methods of Japanese tokusatsu developed through decades of professional production.
Created with American producers and crew, the masterclass explores not only how tokusatsu is made, but also its history, cultural meaning, visual philosophy, and distinctive approach to storytelling.
The production of AKARI serves as a practical demonstration of how these ideas can be applied in an actual film production.
Now distributed internationally through Galxy.
TOTAL WAR: SHOGUN 2 – COMPLETE EDITION
Announce Trailer · 2026 · Director
A cinematic announcement trailer directed by Takeshi Yagi for Total War: SHOGUN 2 – Complete Edition.
SELECTED WORKS

SUPERIOR 8 ULTRA BROTHERS
Feature Film · 2008 · Director / Special Effects Director
Built around a parallel-world concept, the film reimagines familiar Ultraman characters living entirely different lives before heroes from multiple generations are brought together across realities.
Grossing more than US$8 million, it remained the highest-grossing Ultraman theatrical film for 14 years.

ULTRAMAN MAX
Television Series · 2005–2006 · Director / Producer / Series Composition / Special Effects Director
Conceived as a new kind of Ultraman series that embraced stronger individual authorship and a wider range of cinematic expression.
As producer, Yagi invited distinctive filmmakers including Takashi Miike, while selected episodes were later screened at Fantasia under the title Arthouse Ultraman.

TOSHI DENSETSU SEPIA: “ICEMAN”
WOWOW Television Drama · 2009 · Director
Adapted from a story by Naoki Prize-winning author Shusuke Shukawa, Iceman pursued a lyrical, nostalgic form of horror rather than the conventions of contemporary J-horror, placing atmosphere, memory, and emotion at its center.

KAMEN NO NINJA AKAKAGE
Television Series · 2026 · Special Effects Director (Final Four Episodes)
For the final four episodes, Yagi deliberately returned to the energy and practical techniques of Showa-era tokusatsu, exploring how its physical effects and visual style could work again as contemporary entertainment.

ULTRASEVEN X
Television Series · 2007 · Main Director / Series Composition / Special Effects Director
Set in a dystopian parallel world, the series made a radical break from traditional Ultraman imagery.
Abandoning conventional miniature work, it explored a new tokusatsu visual language through real locations, compositing, and CGI.
INTERNATIONAL
Alongside his filmmaking and writing, Yagi works to share the history, cultural meaning, creative philosophy, and techniques of Japanese tokusatsu with filmmakers and audiences around the world.
FANTASIA INTERNATIONAL FILM FESTIVAL
Montréal · 2005 / 2023 / 2026
Yagi’s relationship with Fantasia spans more than two decades, from Arthouse Ultraman in 2005 and AKARI in 2023 to the 60th anniversary of Ultraman in 2026.
UCLA
Los Angeles · 2026
As an invited guest lecturer, Yagi presented the history, cultural significance, creative philosophy, and practical filmmaking techniques of Japanese tokusatsu.
KYOTO FILMMAKERS LAB
Kyoto · Hands-on JIDAIGEKI
For more than a decade, Yagi has supported Kyoto Filmmakers Lab annually and has served as a lecturer on several occasions.
WRITING

NIGHT TRAIN
Fantasy Novel · Shogakukan · 2025
Co-written by Takeshi Yagi and Yuji Kobayashi, Night Train is a fantasy novel about a mysterious galactic railway that appears to people carrying deeply held wishes, offering each passenger a once-in-a-lifetime journey.
Through stories of children facing loss, loneliness, and regret, the novel explores hope, memory, and the possibility of finding a new way forward.

SORA NO MUKŌ
Short Fiction · 2011
22nd Century Fantasy Science Tokusatsu Series: Extra Edition — Sora no Mukō was written as a short work of science fiction for ULTRAMAN BEGINS 2011: A New Battle Begins, a project connected with the Ultraman Foundation.
It represents an earlier example of Yagi’s fiction writing, preceding his later work as a novelist.
PRODUCTION CHRONICLES
Drawing on firsthand experience as a director, special effects director, and producer, Yagi has written and edited a series of books examining tokusatsu and filmmaking from the creator’s side.
Through interviews with directors, actors, designers, cinematographers, producers, and other production professionals, the books document how films and television works were conceived and made, preserving the firsthand testimony and creative processes behind Japanese screen culture.
ULTRAMAN MAX: 15 YEARS LATER — AN ORAL HISTORY
2021
ULTRAMAN TIGA: 25 YEARS LATER — AN ORAL HISTORY
2021
ULTRAMAN DYNA: 25 YEARS LATER — AN ORAL HISTORY
2021
THE GOLDEN AGE OF TOKUSATSU: THOSE WHO FOLLOWED EIJI TSUBURAYA
2022
ULTRASEVEN X: 15 YEARS LATER — AN ORAL HISTORY
2023
THE ADVENTURES OF AKIO JISSOJI: CREATION AND AESTHETICS
2023
Filmography
2016 AKB Love Night: Love Factory
2015 AKB Horror Night: Night of Adrenaline
2014 Godzilla’s Great Counter-Attack: Who Are You?
2014 Haunted School: The Curse of the Word Spirit
2013 Operation: Mystery!: Mystery File
2009 Urban Legend Sepia
2008 Super 8 Ultra Brothers
2007 Ultraseven X
2006 Ultraman Mebius
2005 Ultraman Max
2004 Ultraman Nexus
2004 Ultra Q Dark Fantasy
2003 SD Gundam
2001 Ultraman Gaia: Gaia Again
2001 Ultraman Cosmos
2000 Booska Booska
1999 Ultraman Gaia
1999 Ultraman Tiga: The Final Odyssey
1996 Moon Spiral
About
Takeshi Yagi is a Japanese film and television director.
In the mid-1990s he joined Tsuburaya Productions, the creators of the popular Ultraman franchise, working as an Assistant Director on TV series such as Ultraman Tiga. He made his directorial debut on the fourth episode of the TV mini-series Moon Spiral in 1996. He continued to serve as both a Director and Special FX Director for the Ultraman series until becoming a freelance director in 2008.
In 2004, Yagi was credited as the Main Director for Ultra Q: Dark Fantasy. The following year he served as Series Producer for 2005's Ultraman Max, a big critical and ratings hit. In 2007, he acted as the Series Organizer and Main Director for the late-night series Ultraseven X. Around the same time, he also began work on his first feature film, Superior Ultraman 8 Brothers, which went on to becoming the highest-grossing Ultraman film of all time.
